I have an end-of-life patient to whom I spoke today. She burst out laughing and said, "It was all such fun. I just had so much fun." I wish this for everyone. I wish that we each would meet death laughing, with little regret and even less fear.
I will say there is nothing more Star Trek than tonal inconsistency that’s Star Trek to the fucking bones every single show from tos on and there’s no better example of it than having an episode about the horrors of war and ptsd sandwiched between a crossover episode with two time traveling idiots and a musical episode featuring singing Klingons. And I say this as a compliment, because I love this about trek, but there is nothing more trek than the ordering of snw 2.7-9
-The bird featured here is the Aotearoa New Zealand pīwakawaka, a bird associated with death and the goddess of death
Hine-nui-te-pō. It is commonly thought that if a pīwakawaka flies into your house it is an omen of death.
La’an’s love for UEF!Kirk and how it haunts her interactions with Prime!Kirk is doing something to my brain. Longing and fantasy and different realities all smashed up in the same space. La’an’s dream child with UEF!Kirk overlaid with Carol Marcus’ actual child with Prime!Kirk. Makes me think about Prime!Spock meeting AOS!Kirk for the first time. Or Burnham and Georgiou and their Prime/Mirror counterpart relationships. Someone so close to who they knew, the essence is there, but just different enough to not be The Exact Person They Loved. But they can be Someone They Love Newly. Still. Or not. Thinking of the cost of living or not living with that kind of love is taking my breath away.
I love first-person because it’s about what the narrator chooses to tell. What do they focus on? What do they leave out? What can you learn from reading between the lines? Are they lying to you? Are they lying to themself? It’s great for unreliable narrators and for epistolary storytelling! It’s intimate but there’s still a distance because you aren’t really seeing the narrator’s thoughts–you’re just seeing the story that they’ve constructed.
I love second-person because it’s a conversation. Does “you” mean a broad, indefinite “you”? Does “you” really mean “I” but with plausible deniability? Does “you” mean one specific person? Can they hear the narrator? Do they know the narrator? What is the relationship here? Who’s talking? Who’s listening?
I love third-person limited because it’s focused and intimate. What does the world look like from inside this character’s head? What are they seeing? What are they feeling? It doesn’t grant them the privacy that first-person does; the narrative isn’t something they’ve chosen, it’s invisible and inescapable. As a reader you’re not watching so much as astral projecting.
(I love singular point of view because of how much it leans into that limitation. You’re not getting the whole story; you’re not seeing anything unless this character sees it. How do you embrace that? What do you do with the gaps around the edges? How does that define–or warp–the events that they’re experiencing?
I love multiple points of view because of how it broadens your understanding of the story and the world. If two point-of-view characters react in opposite ways to the same thing, what does that tell you about them? About the world? How does it feel to spend time inside a character’s head and then see them from someone’s else’s point of view? How do all of these viewpoints work together?)
I love third-person omniscient because the narrative is a character. It’s great for stories that know they’re stories! It allows for a camaraderie between the narrator and the reader! It allows for wider and more cinematic descriptions because you’re not limited to what a specific person can see! It lets you look at the characters from outside while still giving you the option to delve into their heads because you have full control over what you’re focusing on!
And I love authors who can combine viewpoints in ways you wouldn’t think would work but manage to pull it off! Stories with multiple point-of-view characters where one is first-person and the others are third! Stories that combine first- and second-person! Stories where the omniscient narrator suddenly refers to themself in the first person! Stories where you realize halfway through that you were wrong about who was narrating it!
Isn’t it fantastic that there are so many different ways to tell stories!!!!
So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.
So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.
But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?
In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.
Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download
Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title:
No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.
Now you’re going to need some materials: 8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife
You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.
Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:
use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.
Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.
Once the text block is anchored down, take off he binder clips and get out the glue.
You can use a brush but you don’t need one, smear some glue on that raw edge.
Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour
In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock
Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)
Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.
Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine
Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.
Voila:
I’m going to put this baby on the shelf next to the Silmarillion.
The whole process, not counting drying time, took less than an hour.
If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders.
My grandfather used to grow watermelons, among other things, and he told me about most of this, especially the orange spot. Those are the absolute best!
Also also: I love that Ebra has a Beef shirt on for The Bear’s Family and Friends Night. Still honoring what got him here in the midst of what will carry him forward.
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“‘The first photo of the USS Enterprise model and the men who built it, 1965. [600 x 350]’ by JangoBeastwood in HistoryPorn
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